“My paintings focus on the concept of cycles, inspired by Eastern philosophical traditions. I explore the idea that all things—whether objects, people, or nature—exist within a continuous flow, moving from a point of origin to transformation and returning to a state that echoes the beginning. My work captures a moment within this ongoing cycle, where the painting feels complete when it reflects this transitory state. Traditional Eastern painters understood nature as an inseparable part of themselves, using mark making as a way to connect with the rhythms of the world. Similarly, the Korean Dansaekhwa artists emphasized process and repetition, mirroring the cyclical nature of existence. In my own practice, I build, remove, and rework layers, allowing each stage to leave a trace of what came before. This process reflects the constant motion of cycles, where creation and transformation coexist. Through this approach, my paintings aim to capture and celebrate the continuity of these cycles, offering a momentary glimpse into their flow. Each work becomes a testament to the ever-evolving journey of beginnings, transformations, and returns.”